EARTH PRIME TIME: DASH SHAW SCREENING + SIGNING AT HUB COMICS

Dash Shaw at Hub ComicsDash Shaw is an uncanny force in the comic book art world, using multimedia for his process and expanding his definition of comics from webcomics and the page to animation. Fantagraphics will be releasing his latest work, New School, this month. Dash was able to talk to us in the middle of his book tour after returning from MoCCA (Museum of Comic & Cartoon Art) Arts Fest this weekend, where he was featured as a special guest. Dash signs books and screens animation at Hub Comics this weekend on Saturday at 7pm.

 
DIGBOSTON: Dash, thanks for taking the time. How was this weekend for you?

DASH SHAW: Great. We had 3 New Stories and New Jobs.

New Jobs - Dash Shaw

“Yes, very qualified” — New Jobs - Dash Shaw

Your comic book work is not easy to define to a reader who hasn’t read it, but your fingerprints are unique. Do you consider your work to be more fine art than illustration?

I make comics. I don’t have any interest in showing work in galleries. I didn’t grow up looking at art in galleries. I looked at drawings in books. There are super talented other cartoonists who are also interested in showing in galleries, but I’m not. I don’t even like the term “art comics” because it implies that the art is more important than the story.

[READ MORE at DIGBOSTON.COM]

MAD MEN: "The Doorway" S6 E01 / S6 E02 (review) - FORCES OF GEEK

Betty (January Jones) isn’t skipping the Jif but redeems herself by being protective of a young runaway, Roger (John Slattery) suffers loss, and Don Draper (Jon Hamm) struggles with his identity and marriage.

Aloha, Mad Men is back and boy have we got a lot to talk about with the Vietnam War brewing in the background of this Madison Avenue drama, returning for Season Six.


Mahalo! Season Six is off to a start, with a two-hour episode for the premiere, ten months after the end of last season. The Sterling Cooper Draper Pryce office has expanded to two floors after the loss of partner Lane Pryce (Jared Harris) to suicide in Season Five.

Both Joan (Christina Hendricks) and Don make comments about the creative department replacing the usual scotch and vodka breaks with reefer madness. The Vietnam War is in full swing, Ginsberg (Ben Feldman) has grown a mustache and Stan (Jay R. Ferguson) has blossomed a full beard.

One of the highlights of the show is the fashion, and we are steadily seeing suit, tie and hat culture grow more accepting of the jeans, sundresses and facial hair seen around them day to day.

It’s Christmas at the Francis house, where Betty (January Jones) and the kids live in Rye is a distant and cold place. Betty remains distant and cold to her daughter. Sally (Kiernan Shipka) feeds this right back to her by politely but passive aggressively shutting the door on her Mom while she takes a phone call. Betty does try to save runaway orphan Sandy (Kerris Lilla Dorsey), a friend of Sally’s, from running away to the Village, but is unsuccessful.

Twice we find our unlikely acid-head Roger Sterling on the therapist’s couch, trying to explain his existential angst. Roger’s secretary informs him of his own mother’s passing, and he seems unaffected, even at his mother’s dry wake, where Don has found himself scotch and is drinking alone in the corner.  Don makes a scene and is carried out by Pete (Vincent Kartheiser) and Ken (Aaron Staton).

[READ MORE at FORCES OF GEEK.COM]


DigBoston and LeaguePodcast Comic Book Picks of the Week for March 20, 2013




COMICS

COBRA! With G.I. Joe: Retaliation holding strong behind the debut of League favorite Evil Dead this weekend, it’s time to hit the comic shop for a New #1 of G.I. Joe Cobra Files, written by Mike Costa (Transformers, Smoke & Mirrors, G.I. Joe: Cobra). Nathan Edmondson checked into our secret DigBoston lab a few weeks ago to spill some state secrets, but Where is Jake Ellis? Issue #4 of the acclaimed second Jake Ellis spyfi series hits shelves today! … Punisher’s Duane Swierczynski reboots Dark Horse ’90s ultraviolent protector of Arcadia, X in a new issue of X #0 with art from Eric Nguyen. … Picks this week from LeaguePodcast.com.

 

Pass the Daily Dig along! Your friends can sign up here!

TRIPLE SHOT: MISS FURY #1, INDESTRUCTIBLE HULK #6 & HARBINGER WARS #1

Sometimes triple shot might mean to you 3 shots of espresso over ice, with caramel, whipped cream and salt. 

Before exclaiming “Ew!”, you gotta realize that too much of a good thing is still many good things all jammed into one big awesome thing. 

This week’s stack of comics is the $8 coffee drink of the springtime, worth every delicious penny.

MISS FURY #1

WRITER: Rob Williams 
ART: Jack Herbert
COVER: Alex Ross
Publication Date: April 3, 2013
Price: $3.99
Publisher: Dynamite Entertainment
UPC: 72513020398400111
Buy it HERE


The Shadow, Green Hornet, The Spider and more are fighting The Justice Party over in the pulp superhero book,Masks.

They are joined by a proto-Catwoman (Black Cat, Hellcat, take your pick) Miss Fury to add a bit of feline finesse to the team.

Here at the new #1, we’re given a fresh origin story of the character and some insight into her powers.

The story opens in 1943 atop the roof of a museum wherein lies the Rwandan Diamond Crown. Miss Fury takes on a cadre of goons and a time traveling Nazi. She’s saved by Harmon, an O.S.S. (CIA) man who she promptly punches before falling through a skylight and into a time portal, waking up in modern day Manhattan.

At this point we’re given her African safari origin story and hallucinogenic ritual that grants her powers before returning to America to find out her father is dead, leaving Marla Drake all of his fortune. Miss Drake returns changed from her experience abroad and sets her eyes on stealing the crown. The cat burglar gene runs strong in her trope!

The burglar aspect of the story is not the strong point, the real hook is the Butterfly Effect time travel reveal at the end. Why is Miss Fury traveling through Nazi time portals and what kind of world does she confront in the present? Read issue #2 to find out. This book for fans of Black Cat, Catwoman, Doctor Who and of course Dynamite’s Masks team book!
 

INDESTRUCTIBLE HULK #6

WRITER: Mark Waid
ART/COVER: Walter Simonson
COLORS: Andreas Mossa
Publication Date: April 3, 2013
Price: $3.99
Publisher: Marvel Comics
UPC: 75960607908700611
Buy it HERE

Alright, we’ve been blowing up Mark Waid a bit here but for good reason.

He’s cranking out the hot stuff lately. While Waid’s storytelling is intelligent and moves the industry forward in ways (Daredevil, Thrillbent) the real news about this issue is his collaboration with longtime Thor artist Walter Simonson on art in Indestructible Hulk #6.


The setup for this book is that Dr. Bruce Banner is working for S.H.I.E.L.D. as a research scientist and top brainy guy. You know who also works for S.H.I.E.L.D.?

The Hulk.

While we’re not certain on the overtime pay for a split personality, we do know how Hulk is employed. When something needs a good smash, send Hulk in, and he smashes away. It’s controlled chaos, Hulk used as a weapon for the government. Only now realizing this is pretty similar to the current Venom premise, whereby Flash Thompson is given monitored access to the Venom symbiote to give him powers as a super soldier.

What better use of Walter Simonson’s talents than to put him on a Hulk book and to include our good friend Thor Odinson. That’s right, boys and girls, Banner travels to Jotunheim (you may remember the land of the Frost Giants from the Thor movie) to gather up some legendary energy source of some kind or another. Who cares? The excitement explodes on the facing page when the Thor we grew up with in the 80s swoops down with Mjolnir to ask what they are doing there.

It seems the Son of Odin does not recognize his friend Banner, and Bruce is also wondering in his narration why Thor is not wearing his modern costume. Perhaps we have a doppelganger Thor here?

At this point the Frost Giants show up, and attack Thor and the team. Banner is encapsulated in ice, a familiar place for an Avenger, before getting super pissed and having his growth spurt. Luckily it’s easier for him to fight Frost Giants as Hulk, but he can’t do it without assistance. The Asgardian at this point is separated from his mighty hammer.

I started off getting Waid’s first issues, with Lenil Yu on art and it was great, but dropped off. If we get two masters on one book for a while this will be a no-brainer and an easy recommendation to anyone that’s not on the Wednesday comic book cycle.

HARBINGER WARS #1

WRITERS: Joshua Dysart
STORY: Joshua Dysart & Duane Sweirczynski
ART: Clayton Henry, Clayton Crain, Mico Suayan
COVER: Lewis LaRosa
Publication Date: April 3, 2013
Price: $3.99
UPC: 85899200308600111
Buy it HERE

The relaunch of Valiant Comics was an industry shot in the arm with it’s Summer of Valiant last year.

A strong suit of the ‘90s Valiant Universe was it’s similarity to the Marvel Universe, as there was a shared history of the fictional universe, with diverse characters and story lines ranging from aliens to psionicly powered children, ninjas and voodoo.


This made for easy crossovers and guest appearances in the books.

Miming the success of these crossovers, we have had Ninjak appear in X-O Manowar in the reboot and now we have the first official event comic or crossover in the modern takes on the characters in Harbinger Wars #1.

The Harbingers are close to an X-Men type team with super powered kids of all different ‘psionic’ abilities, lead by corporate mastermind Toyo Harada. The Harbinger Foundation has been colluding with the government’s Project Rising Spirit program to imprison some of the most powerful young psiots and use them for deadly immoral missions.

A new cast of young psiots are introduced with cool codenames like Chronos, The Telic, Traveler and Hive (we’re Legion of Superheros fans here, Chronos-Boy has a nice ring to it, too!). Of course we see Harbinger Peter Stanchek here with his rebels and he even has an encounter/vision of The Bleeding Monk (still the creepiest).

Bloodshot, a product of Project Rising Spirit liberates some of the imprisoned psiots from their facility, and Harada is in hot pursuit of losing his precious weapons.

It’s Bloodshot teaming with the rebels to protect these kids, as Toyo Harada and the rest of the Harbinger team players are seeking revenge. And this is the action only in issue #1 of four.

Amazing art, story and crossing over of characters we have been waiting for since last summer in these fine looking books. Starting Valiant launches an 8-bit campaign with pixelated covers of all of their books. Only weeks away is Harbinger Wars: Battle for Las Vegas, an 8-Bit Game tied into the series coming to Android and iOS. I can’t wait to shoot guns as Bloodshot!

[READ MORE at FORCES OF GEEK]

EARTH PRIME TIME: GENDER THROUGH COMIC BOOKS MOOC

Terry Moore - Strangers in ParadiseLast week we talked about MMORPGs and MOBAs. This week we embark on a different multiplayer experience, the MOOC, Massive Open Online Course (MOOC). Class is in session for Christina Blanch’s (Ball State University) Gender Through Comic Books MOOC, and the best part of it all is that homework equals reading comic books. 7000 students are enrolled in this class that does not seek to define the comic book or gender roles in comic books, but gets students thinking critically about the subject.


It has been a few years since I’ve been to a classroom for any reason, but I have been enjoying the free iTunes U to learn about some basic computer science. The most convenient part of the iTunesexperience is that I can move along at my own pace and watch videos in my down time. When I had first heard of Christina Blanch’s course at Canvas.Net on John Siuntres’ Word Balloon podcast, I signed up, because I was intrigued by not only the platform but the subject matter. The course is free with open enrollment and students are allowed to join in at any time. The course will be archived on the site and students can go at their own pace. Also, the level of engagement is entirely up to the student.

If you wish to just watch the videos and skip the homework, you can do that, but you won’t get the cool certificate at the end.

[READ MORE at DIGBOSTON.COM]

DigBoston and LeaguePodcast Comic Book Picks of the Week for April 3, 2013




COMICS

I huge complaint about the New 52 reboot was about the numbering for the issues. As a fan service, DC will recognize it’s flagship title’s 900th issue in Detective Comics #19, which would have been a landmark issue had the reboot never happened. It’s Batman vs. the ManBats in “What is the 900”? by John Layman and Jason Fabok. … Legendary artist and amazingly nice guy Walter Simonson (Fantastic Four, Thor) picks up the mighty pen for art duties on Mark Waid’s Indestructible Hulk #6. Guest starring a familiar blond Norse God! … The spotlight is turned onto Autobot Trailcutter in the latest in the series, Transformers Spotlight: Trailcutter. Autobot ship Lost Light has been boarded by Decepticons, can Trailcutter’s force field protect his shipmates? … Picks this week from LeaguePodcast.com.

 

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TRIPLE SHOT: GREEN HORNET #1, DARK KNIGHT #18 & DOCTOR WHO #7

Let’s line ‘em up boys. 


It’s been an unusually long work week so let’s knock back some Green Hornet from Mark Waid, Ethan Van Sciver’s take on The Dark Knight starring Mad Hatter and listen to Cracker’s Low as the soundtrack to the latest Doctor Who — in space!


MARK WAID’S GREEN HORNET #1
WRITER: Mark Waid
ART: Daniel Indro
COVER: Paulo Rivera
Publication Date: March 27, 2013
Price: $3.99
Publisher: Dynamite Entertainment
UPC: 72513020289500111


I wished to keep this as a two word review: “Mark Waid”, but we all know you deserve my usual insight and over use of exclamation points to extoll the virtues of another fine comic from the man that brought us Kingdom Comeand delivers every month with a fantastically positive and anachronistic Daredevil comic for Marvel. His digital publishing initiative under the Thrillbent banner continues to add value to the comic market by offering a platform for writers and artists to take advantage of the digital form.

Mark’s take on The Green Hornet is on pace with his Daredevil work. The changes to the mythos are subtle enough to pay tribute to the history all the while introducing elements of suspense and modern comic storytelling.

Newspaper man Britt Reid is the great nephew of The Lone Ranger and uses his financial resources to infiltrate the mob from the inside and do damage from the inside. Of course Kato is there as his chauffeur and confidante. 

This issue has it all in order of scale. The scene is 1941 Chicago. We go from Britt’s office to his lair to reveal his car Black Beauty. From there the duo hits the docks as the world’s first ‘super-criminal’. Britt uses his and Kato’s fists to clean up the city as well as The Fourth Estate to bring down criminals. Waid cites Citizen Kane as an inspiration for the story.

Get on board fast with this book. Mark Waid is the master of the first issue, leaving us with a serial cliffhanger while packing a rich storyline with resolution in the first issue.

I hope Dynamite is able to match Daredevil sales on issues and trade paperbacks with this book. It is a fun ride shotgun in Black Beauty. Newcomer artist Daniel Indro pleases us with his realistic storytelling and dynamic action.

BATMAN: THE DARK KNIGHT #18
WRITER: Greg Hurwitz
ART/COVER: Ethan Van Sciver
Publication Date: March 27, 2013
Price: $2.99
Publisher: DC Comics
UPC: 76194130643801811


This book was the ‘adjectiveless Spider-Man’ of the New 52 at it’s inception.

DC gave David Finch a fair shot of writing a Batman book that he would illustrate. I was aboard for the first few issues then dropped it for lack of interest in the story. I mean, I was already going broke picking up Bat-titles from Morrison, Snyder, Daniel and Simone.

I joked around on my podcast as not considering Batman: The Dark Knight canon. 

This was a book I was picking up for the art anyway. A few creative team changes later I was delighted to see Ethan Van Sciver on art duties for the book written by bestselling author Gregg Hurwitz. OK, OK, I can recognize this as canon now!

Van Sciver and Geoff John’s Flash: Rebirth brought Barry Allen back to the DCU back when I was getting back into comic books after an unusual nearly 10 year break. I’d always loved The FlashTV show, so Barry coming back was a big deal to me! Van Sciver’s art is the kind I admire because I could never draw like him or McFarlane or Rags Morales.

More lines and detail please, thank you!

Here in issue #18 we go to the dark place of the New 52 Secret Origin of Batman rogue The Mad Hatter. As a pre-teen boy, Jervis Tetch is teased about his height but is given the choice of taking enhancing growth hormones. “One pill makes you bigger”. Hurwitz threw me for a loop with the subtle Alice in Wonderland reference. Jervis asks the girl he is crushing on, also an Alice, to the dance and ultimately gets friend-zoned. Let’s just say that years later when Jervis puts on his top hat that he doesn’t forget about poor Alice when he pays her a visit.

Catwoman makes an appearance and there is some flirty tension as she pulls a Jason Todd and steals a Bat-hubcap. Bruce obviously has a panic attack or lack of reason so he shows Selina all of his secrets and reveals his identity to her. Not really sure where that element of the story is going but we will see. Is it just a bad trip? We hope so!

Great issue and great art but I want to see Ethan Van Sciver draw more Bat-action. If he filled in for Capullo on Snyder’s book I think we would see more action but hopefully Hurwitz has more in store for The Dark Knight coming soon. I am on board and recognizing this as canon so bring it on!


DOCTOR WHO #7 (Vol. 3)
WRITER: Joshua Hale Fialkov
ART: Horacio Domingues/Andres Ponce
COVER: Mark Buckingham
Publication Date: March 27, 2013
Price: $3.99
UPC: 82771400379600711


Lots of Who stuff to be excited about with the return of Series 7 and the 50th anniversary this year.

So how about the comics?

Yes. Even more timey-wimey enjoyment can be found with The Doctor in the pages of your favorite four-color fare. IDW’s Doctor Who: Prisoners of Time showcases a one issue adventure from each of the Doctors, with an overarching story of kidnapped companions.


The regular ongoing Doctor Who from IDW starring the eleventh Doctor played by Matt Smith has a rotating roster of talent including Andy Diggle and Mark Buckingham.

The latest is a space race story written by Joshua Hale Fialkov (I, Vampire) and drawn by Horacio Domingues. 

The Doctor heeds a call from a cosmonaut in 1961 after he loses his comrade in a spacewalk to one of the most deadly species in the universe, Vashta Nerada. Vashta Nerada were last scene in the Tenth Doctor episode Silence in the Library. The shadow virus swarm traps the Doctor out of the TARDIS and they are forced in the tin can of the Vostok capsule. Life support is running out as we leave the Doctor and cosmonaut there to face the swarm cloud.

Domingues and Ponce deliver great and clean line work in the style of Jamie McKelvie or Ming Doyle, and the colors by Adrian Salmon are the right balance of subdued and flat without being boring. Looking forward to this creative team next issue and more from them in the future.

Cosmonauts are cool.
[READ MORE at FORCES OF GEEK.com]

4/20 LeaguePodcast 4th Annual Boston ComicCon After-Party at McGreevys

League Podcast Comic Con After-Party 4

League Podcast Comic Con After-Party 4

SAT. APRIL 20, 6-9PM
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EARTH PRIME TIME: MARVEL & DC VIDEO GAMES

Injustice Gods Among Us CoverEveryone that was at PAX EAST this weekend is still resting up, especially if they were out late at one of the many awesome after-parties around town. Comic fans can throw on their headphones on and get back to coding while they wait for some of the most anticipated video games in the industry where you get to control your favorite hero, even if that hero is Deadpool.

 
It is argued that as far as comic book characters are concerned, the real way a company like Disney or Warner can make money is by licensing the properties out to merchandise; the real money comes from video games, and of course, by selling movie tickets. I don’t think that’s wrong, and it is always a tickle in the back of the mind that hopefully the success of films like Dark Knight Rises orAvengers can prop up the floppy or digital comic book industry for years to come.

Both of The Big Two have announced some awesome games recently that we’re excited about, to keep our thumbs busy when not flipping pages.

[READ MORE at DIGBOSTON.COM]

DigBoston and LeaguePodcast Comic Book Picks of the Week for March 20, 2013



COMICS


Trust me, I’m the Doctor. This week marks the return of Season 7 Doctor Who with new companion Clara by his side. Prepare yourself with Doctor Who Vol. 3 #7 as the Eleventh Doctor helps out a stranded cosmonaut. Written by Joshua Hale Fialkov of Action Comics and I, Vampire. … Skullkickers becomes Savage Skullkickers #1 this week with at familiar looking cover. Good on ya, Jim Zub. The underground hit makes an unnecessary cash grab at what should be issue #20. Get in on the ground level for the first time again! … Aw Yeah everyone, it’s Superman’s Mom, Ma Kent starring in Superman Family Adventures #11 from Art & Franco. Also starring Lois and the Super-Pets! … Picks this week from LeaguePodcast.com.

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TRIPLE SHOT: CHEW #32, ACTION COMICS #18, THE WHISTLING SKULL #4

Image has another huge week with too many books to review so we pick on the cibopathic Chew for our first shot this week. 

Over at DC we knock back a potion of Grant Morrison’s final Action Comicsissue before dusting off the JSA Liberty Files: Whistling Skull #4.

CHEW #32

WRITER/LETTERER: John Layman
ART/COLOR: Rob Guillory
Publication Date: March 20, 2013
Price: $2.99
Publisher: Image Comics
UPC: 70985300808803211

Image had an incredible week, and when you are the go-to place to publish your own work and have the top talent in the industry dropping projects at your feet, you inevitably have some of the best books come shipping consistently.

It has been nearly four years since the debut of Chew, a crime story in the not so distant future where eating chicken is illegal. Not only that, the FDA has risen as a top federal crime agency and in this world people have sense based superpowers.

Some can communicate through food, detect the future of what they eat, and some like the star of the book, Tony Chu can read the history of the food he eats.

That is to say, when Tony eats a hamburger he experiences the lives and loss of 100 cows. This comes in handy, when more than once Tony has had to sink his teeth into a corpse to find out what happened to the body.

Chew is a hilarious book based on such a bizarre concept that is the reason for it’s success. You’d be lost picking this issue up if you are not caught up, a lot has happened in the past few issues. Newcomers should pick up the perennial bestsellers Chew Vol.1 in paperback or hardcoverOmnivore Edition.

Tony tackles terrorists at the taco tasting and immerses himself in his work while mourning the loss off his sister. Over lunch a strawberry milkshake lunch, tensions rise between Colby and D-Bear in an illegal chicken shack when Colby connects the dots on D-Bear’s post mission phone calls. Luckily this ends in a knock out fight in the kitchen with butcher knives and swearing.

Near the end of the issue, Tony makes plans to reconnect with his cibopathic daughter, Olive Chu.

Fun issue but this would be confusing to anyone not caught up, so save your lunch money for a few days and pick up the trade to dine on these fine comics!


ACTION COMICS #18

WRITER: Grant Morrison, Sholly Fisch
ARTIST: Rags Morales, Chris Sprouse and more
Publication Date: March 20, 2013
Price: $4.99
Publisher: DC Comics
UPC: 76194130637701811

Mr. Morrison has had quite a couple of weeks. First, the death of Robin Damian Wayne in Batman Incorporated #8, and now this…

Grant and Rags finish up their run on Action Comics, starring none other than the big guy, Superman.

The breaking news is that Andy Diggle (The Losers, Daredevil, Doctor Who), tapped to take over after this team’s departure with Tony Daniel (Batman, Detective Comics) on art has quit the title over professional differences with DC Comics.

Tony Daniel will now be both writing and drawing the book, after Diggle’s one and only issue #19 hitting the stands next month.

We’re going to be keeping an eye on this nugget of gossip for sure. Many creators have expressed similar differences with the higher ups at DC since the New 52 relaunch.

This issue was not cheap at a $4.99 cover price but was worth the price of admission to the fifth dimension. Morrison has done what he promised to do in his bestselling novel Supergods: What Masked Vigilantes, Miraculous Mutants, and a Sun God from Smallville Can Teach Us About Being Human. He’s let Schrödinger’s cat in and out of the multidimensional bag and referenced 75 years of Superman’s history from each Crisis to silly Golden Age Legion of Super-Heroes stories starring Superboy to a brand new and over arching reconfiguration of the Fifth Dimensional imp Mister Mxyzptlk. 

If you can let this 18 issue Superman story wash over you from a place of superhero innocence and remember that this is the development of Clark Kent before joining the Justice League, this issue leaves off at a great point. By feeling that Clark graduated from the blue jeans and sprinting around in a single bound to fighting fifth dimensional time bubbles and hoisting an impossibly giant Doomsday into space, Kal is ready to take on saving Metropolis and the world (and the terraformers on Mars) hundreds of times over. 

Supergods could be a prerequisite to Morrison’s Action run, I’m curious to see if fans were turned off from the writing here, because I was teetering on the line of enjoyment / confusion through most of it, with leaning toward over 90% of enjoyment by the end of each issue. The trick is that Morrison doesn’t want these to be easy comics to read, and the more you understand that the better your experience may be!

The backup story drawn by Chris Sprouse and sometime Action writer Sholly Fisch is a cute and well drawn story set in the future at a Superman museum. This is in the era of the Legion of Super-Heroes. Basically a young kid stands up to bullying while Superman videos play in the background and we hear “Man of Tomorrow”, “Faster than a speeding bullet”, “Look, up in the sky” as sound bytes from the movies. Sprouse is an amazing artist, and we hope to see him draw more DC Comics in the future. He may not though, as he also jumped ship from his DC assignment Adventures of Superman earlier this month with anti-gay bigot writer Orson Scott Card. Sprouse did the Kal El thing and stood up for justice. Way to go, Chris!

THE WHISTLING SKULL #4 (JSA LIBERTY FILES)

WRITER: B. Clay Moore
ARTIST: Tony Harris
Publication Date: March 20, 2013
Price: $2.99
Publisher: DC Comics
UPC: 76194126988700411

As we near the end of this week’s missive, save for the most popular superhero of all time, these books aren’t that easy to pick up and enjoy without a bit of prep.

Luckily the audience here has years of comic book experience to be able to handle this kind of thick, psychedelic and rare form of comic book suggestions that you’ve come to expect from us!  That is to say, when suggesting you read The Whistling Skull, branded as JSA Liberty Files, you’ll undoubtedly not be surprised that this book has absolutely nothing to do with Justice Society, Earth Two, Jay Garrick or Hawkman.

B. Clay Moore and Tony Harris have devised a way to tell old school bizarre tales of the weird starring original characters under the DC Comics banner. With no connection to the New 52, no superheroes that you know, and starring The Whistling Skull alongside partner Nigel this is a very strange book, indeed. 

This is also the book I am most looking forward to reading each month.

The Whistling Skull and Nigel are patrolling the English countryside and stumble upon the work of ex-communicated Nazi doctor Klaus Hellman. Hitler was not keen on Hellman’s machinations for making his own brand of super-soldier and was kicked out of the reich. Posing as broken down circus caravan, The Whistling Skull and Nigel stop to assist but are trapped by the Nazi Hellman and his band of gypsy freaks.

The origin of The Whistling Skull and his powers are slowly being revealed, but he is the most recent in a long line of Skulls. Nigel is a sweet and innocent—albeit not that bright—Watson to the Skull’s Sherlock. This fantastical WWII superhero adventure story sits on the shelf nearHellboy/B.P.R.D. or is reminiscent of League of Extraordinary Gentlemen. Also, what is amazing about this book is that while familiar, it is truly unique in scope and the art by Tony Harris is amazingly detailed and dark. Noir overtones, occult madness, Nazi Doctors and a skull with a steampipe on the right temple. Can you ask for anything more? Yes. “More issues of this please”, I say, with my fingers crossed, to not have DC editorial mess with this amazing book!

[READ MORE at FORCES OF GEEK]

LeaguePodcast and RockOn Concerts present: PAX-EAST POST-PARTIES 1.0 & 2.0

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EARTH PRIME TIME: NATHAN EDMONDSON OF THE ACTIVITY AND WHERE IS JAKE ELLIS?

THE ACTIVITY - MITCH GERARDSSome interviews are so sensitive that you might get a call from an unknown number asking you to take it down for the sake of national security. We hope we’re not getting another one of those calls this week, as we got a chance to talk to the top spy-fi and espionage comic book writer in the business, Nathan Edmondson. Nathan has written Grifter for New 52, as well as a recent Ultimate Iron Man series for Marvel (now in trade paperback). For creator-owned work, Nathan’s The Activity and Jake Ellis series continue to draw attention from real military and fans of spy fiction, and more books are in the works including being tapped by Ubisoft to develop a Splinter Cell comic series. We conducted the following interview over a secure line.

 

DIGBOSTON: Hi Nathan, Thanks for taking the time today. We’re just now caught up with The Activity, a special ops book you do with artist Mitch Gerards. What’s the inspiration for such a real world espionage book?

NATHAN EDMONDSON: Mitch and I are fascinated by this nearly untouchable world, and when we found a side of it never seen before in fiction, we knew we wanted to tell stories about it.

The attention to detail on the missions are really what grabs me with this book in particular. How important is the tech to the book?

Tech is second to soldiers and story, but technological superiority is part of what makes a group like this so effective on the battlefield.

We do our best not to distract with the tech, but to give a real-world feel of the gadgets and gear employed by Tier 1 operators on missions.

The Activity - Mitch Gerards

The Activity - Mitch Gerards

I have a relative that dealt with special ops military, he’s pretty tight-lipped about his time there, but I understand you have had some great support from ex-military and special forces members. 

How do you gain access to the right people you need to help you tell an accurate story? And who or what is at U.S. Army Entertainment Liaison Office?

The armed forces has offices that are set up to provide information and support to the entertainment world.  We have worked a bit with the Army’s office, but most of our direct research comes from relationships we’ve forged with individuals who have or who continue to serve in the Special Operations community.  In the back of the trade you’ll see a list (though names are changed and much information withheld) of some of those who have given us support.

We are careful, however, not to disclose information that would compromise any of these individuals.

The Activity - Mitch Gerards

A Comic Book Fan gets to pick the Mission Codenames! - The Activity - Mitch Gerards

This is a very different flavor of book from your other series, as you are not only showcasing the heroes on the ground with direct action, but also dealing with the structure of the whole operation including international cooperation. 

At some points a team member or a team might disagree with the orders from on high—but ultimately carries out the mission. Other missions may get scrubbed or not go as planned. Is your Activity team balanced well? Will there be any roster changes coming up?

If you’ve read issue 11, you know there are some changes stirring within Team Omaha.  In the real world, part of what makes a Special Missions Unit team effective is they grow together and train together as a team so that they can trust one another fully and completely on the battlefield.

[READ MORE at DIGBOSTON.COM]

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DigBoston and LeaguePodcast Comic Book Picks of the Week for March 20, 2013




COMICS

This week’s picks are a bit macho, we’re not gonna lie, but we’re not going to claim that girls don’t like Dredd, G.I.Joe or KISS, THAT would be sexist! … Also, when a new G.I. Joe book comes out, it’s kind of ‘our thing’. Re-introducing a season of a title with it’s origins in the ’80s, Chuck Dixon and Paul Gulacy give us G.I. Joe: Special Missions #1, Scarlett vs. Baroness! … You probably missed Dredd in theaters last year—most did—but reaction from the RedBox is that the movie about 2000 AD’s future cop starring Bones from Star Trek was one of the best of the year. IDW gives us Judge Dredd Year One this week. KISS goes Solo this week at The Demon (Gene Simmons)takes on the Four Horsemen. You wanted the best? You’ve got Angel Medina on art in Kiss Solo #1: The Demon. … Picks this week from LeaguePodcast.com.

 

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TRIPLE SHOT: SLEDGEHAMMER 44 #1, BUDDY COPS #1 & WOLVERINE #1

We’ve got robots, suits of armor and a drunken space cop in our Triple Shot this week.  Over at Marvel NOW! the Brits give Wolverine a makeover.   That is, they blast his flesh off of the bone and make over his body once or twice in the first few pages of Woverine #1 by Paul Cornell and Alan Davis.



 SLEDGEHAMMER 44 #1 (of 2)

WRITER: Mike Mignola, John Arcudi
ARTIST: Jason Latour
COLORS: Dave Stewart
Publication Date: March 13, 2013
Price: $3.50
Publisher: Dark Horse
UPC: 76156818145600111

Hellboy and B.P.R.D stories are usually dropped in time rich after WWII and Hellboy’s origin.

This particular story is right in the middle of the war, in 1944 with grunts, cigarettes, nets over the helmets and classic call backs to the classic comics of Joe Kubert or Joe Simon. This two parter expands the Hellboy-verse to include a man in a suit of armor charging at a Nazi foothold in France after being dropped in the shell of a Blockbuster bomb onto the battlefield.

The U.S. soldiers on the ground are given strict orders to be backup for the behemoth Project Epimetheus aka Sledgehammer 44. Nazi soldiers are no match for the super-powered suit, but the Germans counter with an enormous S.S. robot that crashes it’s way out of the enemy armory it is protecting. The Lost in Space looking armored enemy gets the upperhand on the Allied weapon and our boys retreat, dragging the mysterious knocked out Sledgehammer back to base camp. Will the Nazi’s catch up to finish off old Sledgy?

Jason Latour gives us great pages of classic looking comic art on this war story. The design of our new hero is all Mignola, but the storytelling is textbook Kubert School and all details wonderfully rendered in a classic illustrative line.

The book was intended for the late John Severin to draw and collaborate on with Mignola and Arcudi. The Marvel artist passed away in 2012, and rather than shelve the script, the book was released and dedicated to the master penciller with reverence to his memory.

My only complaint is that this book is only two issues! We hope to see more of our WWII ‘Ironed Man’ in the future.




BUDDY COPS #1 (One-Shot)
WRITER: Nate Cosby
ARTIST: Evan ‘Doc’ Shaner
Publisher: Dark Horse
Publication Date: March 13, 2013
Price: $2.99
UPC: 76156822968400111

From the pages of Dark Horse Presents is the story you haven’t been asking for in Buddy Cops #1. Reprinting the material from the anthology series with some bonus material for good measure is the story of two cops—well, not exactly.

This is the story of a partnership between T.A.Z.E.R. and Uranus.  You see, Uranus is an intergalactic space cop, you know the type; a guardian or part of a corp. Uranus caught drinking on the job and was demoted to lowly duties, earthbound as it were as a regular beat walking stick swinging cop.

They let him keep his space sword and jetpack, though. It gets wacky when a janitor reboots a 1970s uptight traffic enforcement cop android called Tactical Android Zoned for Efficient Resolution, (T.A.Z.E.R.). Stick these two in a cruiser and see what happens!

I identify most with Uranus, who screams out Wu-Tang lyrics on the scene of the crime. Old T.A.Z.E.R. is just a fuddy duddy automaton with no game, but on the plus side has a detachable head that more than once comes in handy in combat. 

The ‘tension rises in the third act’ as the partnership is blown apart by Uranus getting married and then impregnated by a member of the plant-like Fregnar race. Uranus’ daughter tries to eat all of the people in the city and the team is back together again as T.A.Z.E.R. forgives and forgets.

This is such a funny book and it’s great to see ‘Doc’ Shaner work on a full story after following his sketch blog (http://www.evanshaner.com) for the past couple of years. Nate Cosby has a new all ages book book Cow Boy (http://cowboycomic.net/about) with letterer and artist Chris Eliopoulos that we’re dying to check out soon!

This book ain’t nuttin to F$% wit’.
WOLVERINE #1 
WRITER: Paul Cornell
ARTIST: Alan Davis
Publisher: Marvel
Publication Date: March 13, 2013
Price: $3.99
UPC: 75960607921600111

I’m in. Well, I’m most of the way in with Marvel NOW! Not all books appeal to me but what would be the fun in that anyway?  By not rebooting the 616, but updating the titles and characters to be more aligned with the movie universes is just fine with me.

I’ve not been a huge X-Men fan since the ‘90s, but hey—now I’m reading two team X-Men books. The excitement I have for the mutant plight as analogue for oppression and sticking it to the man has never been higher, and now with so much happening with Bendis’ teams, it’s good to also attach myself to my favorite Bub, Wolverine.

Sure, Logan’s all grown up now and an Avenger somehow (look, I’m behind the times, OK?) but this new Wolverine title is exactly what I need and is almost reminiscent of the Larry Hama run on the book. Let’s have Wolverine go off and have solo missions like the good old days! Marvel and DC ‘time’ obviously allows for these guys to be in four or five different books seemingly at the same time (sorry, the kid in me still thinks about that stuff) but that’s where the fun comes in.

It seems that Paul Cornell and Alan Davis have Logan becoming a detective for a few issues before returning him to a team or running into any other heroes. This book can exist on it’s own already and we’re only on issue #1. Older fans of Wolverine have a great start here to jump on board, as no current continuity is referenced (besides the aforementioned Avengers bits).

Who is this kid that wants to take his father’s ray gun and watch Iron Insides regenerate over and over again? Looks like Logan is tracking his scent in the next issue, and I can tell you I’m on board. This is the kind of art that made X-Men and Excalibur comics must reads from the spinner rack coupled with equally masterful storytelling by Paul Cornell.

This is top of the stack stuff, for sure.

[READ MORE at FORCES OF GEEK]

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EARTH PRIME TIME: MIRIAM KATIN ON ‘LETTING IT GO’ AT BROOKLINE BOOKSMITH 3.19.13

MIRIAM KATIN - LETTING IT GO

Born in Hungary during World War II, Miriam Katin is a child of the war. In 2006 Drawn and Quarterly published her first graphic novel at the age of 63, her story of surviving the Holocaust, We Are on Our Own. Miriam signs her new book about her relationship with her family and the country that caused so much pain at Brookline Booksmith on Tuesday, March 19 at 7 p.m. The followup to her first acclaimed graphic novel is called Letting It Go. We had the honor of asking Miriam some questions about her work and how she got in to the intimidating art of autobiographical graphic storytelling at an age when many others might consider retiring.

DIGBOSTON: How did you get started working on comics after your career as an animator?

MIRIAM KATIN: It was around 2000 and I was working in Disney’s New York studio. Some young animators who did comics decided to self publish their stories and they started a series of anthologies titled Monkeysuit.

They asked me if I had anything to contribute and in my desk, for ten years I had a rough for a short comic. I competed that story and they published it. It received very favorable reviews and this encouraged me to continue.

[READ MORE at DIGBOSTON.COM]

DigBoston and LeaguePodcast Comic Book Picks of the Week for March 13, 2013




COMICS

 

Friend of the Dig and spy-fi writer Nathan Edmondson with Tonci Zonjic have been nominated for nearly every award for the espionage thriller Jake Ellis series. Where is Jake Ellis #3 reunites Jon with Jake at a critical moment but at what cost to both of them? … Marvel NOW! had a bit of a #SXSNafu this week when they offered over 700 free digital codes to everyone that wanted them. This crashed Comixology, and they are still working on the fix. The best solution is to pick up this week’s Wolverine #1 at an actual store from the superstar team of Paul Cornell and X-Man legend Alan Davis. … A new book from ComiXTribe, The Standard #2, hits shelves today. Will the original Standard come out of retirement as a chemistry teacher to save the life of a young girl? … Picks this week from LeaguePodcast.com.

 

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Triple Shot: 47 RONIN #3, MY LITTLE PONY: FRIENDSHIP IS MAGIC #4, LEGENDS OF THE DARK KNIGHT #6

This week, we find out what Spike has been up to back at Canterlot while most everypony was in the Changeling Kingdom trying to escape the wrath of Queen Chrysalis in the latest issue of My Little Pony: Friendship is Magic, a book I only buy for my niece and no other reason.



Plus, Digital Dark Knight stories from some of the best independent comic creators are collected and a look at the masterless samurai of Stan Sakai and Mike Richardson’s 47 Ronin.   

47 RONIN #3 (OF 5)
WRITER: Mike Richardson
ARTIST: Stan Sakai
Publication Date: March 6, 2013
Price: $3.99
Publisher: Dark Horse
UPC: 76156815949300311


Dark Horse Comics publisher Mike Richardson has been fascinated by the story of 47 ronin since the inception of his comic book company.

The national ‘story of Japan’ is one of honor, sacrifice and loyalty in feudal Japan at the start of the 18th century.

Masterful artist of Usagi Yojimbo fame, Stan Sakai, was chosen as the perfect artist for the story by Richardson. 

Along with help from legendary manga writer Kazuo Koike (Lone Wolf and Cub), Richardson has the resources he needs to make an authentic and beautiful five issue portrayal of the legend in comic book form, no doubt to have this passion project collected into a beautiful hard bound edition eventually.

Both Sakai and Richardson have made research trips to Japan to study location, wood prints, and visit the gravesite of the 47 ronin. Sakai has been quoted as basing his artwork on these woodblock prints to further carry on the visual tradition of telling this story. While most famous for drawing a cartoon rabbit samurai, Stan has used these woodcuts as basis for the expressive mouths and character design of the humans in the story in tribute to the more traditional versions of the story.

Issue #3 deals with the collection and scheming of the ronin who wish to avenge the wrongful seppuku death of their master Lord Asano. Many say goodbye to their family as they wait nearly a year to attack the shogun Kira who is responsible for Kiro’s death.

Tensions are high at the end of this issue and the attack is coming soon. As I’m not familiar with the story of the 47 ronin, I hope to read this and do more personal research on the subject myself to compare and contrast with more traditional storytelling of the legend. From two accomplished comic book samurai, I’ll take this version as more than just an introduction to the story of Japan. I’ll take this as the ultimate interpretation in my favorite art form, much as I do for Osamu Tezuka’s Buddha volumes.

LEGENDS OF THE DARK KNIGHT #6
WRITER/ARTIST: Various (Jeff Parker, Gabriel Hardman, Guillem March, Michael Avon Oeming)
Publication Date: March 6, 2013
Price: $3.99
Publisher: DC Comics
UPC: 76194130749700611

There was a lot of Batnews or not-so-Batnews last week with the death of another Robin and the finale of Snyder’sDeath of the Family arc.

This week we go way off the reservation, far away from The New 52 to the digital zone.

No one’s sure of the numerical designation for the universe that exists inside of your iPad or Kindle Fire, but I can tell you the Batman that lives there is not messing around. 

The long running, sometime solo Batbook on the shelves, launched in 1989 ran until 2007, showcasing various creative teams that didn’t get a chance to prove themselves in Batman or Detective Comics. 

2012 saw the relaunch of LOTDK as a digital first series, publishing on a weekly schedule similar to DC Comics Smallville Season 11. Both series are collected in print comics after the fact. 

This week’s issue is chock full of Gotham’s best short stories in years. I don’t know what funny stuff Joker put in these creator’s waterjugs but are we excited about these three short stories. All of the short stories are self-contained 8 page numbers.

Jeff Parker (Agents of Atlas) teams up with Planet of the Apes’ Gabriel Hardman for a quick Batman chases badguy into the arms of G.C.P.D. story. The colors by Marvel mad lady Elizabeth Breitweiser drench the pages with a grim tone to set the mood.

Drop on down to the subbasement sewers of Gotham for Michael Avon Oeming’s (The Mice Templar, Powers) cartoony confrontation with Killer Croc and guest ‘starring’ a captured Hugo Strange that is being forced to create a companion for King Croc.

Rob Williams (Robocop, Avenging Spider-Man) and Juan Jose Ryp (Punisher MAX, Black Summer) deliver the last story in the book and introduce a new mysterious and creepy villain known as Mr. Smith, who reminds us of a tangible Gentleman Ghost. This no name man with an Model T Van is silent and scary with his speechlessness. 

All three short stories make this worth checking out, and a series to keep your eye on in the digital book stores or on the shelf of your LCS.

MY LITTLE PONY FRIENDSHIP IS MAGIC #4    
WRITER:    Katie Cook
ARTIST:    Andy Price / Katie Cook (Backup)
COVER:    Stephanie Buscema
Pub. Date:    March 06, 2013
Your Price:    $3.99
Publisher:    IDW Publishing
UPC:    82771400398700411

I’m almost running out of jokes at the store. “It’s not for me…Can I have a brown paper bag, please…No, I don’t want the MLP plastic bag, who would want that?”

Truth is, my niece—whom I have turned on to the comic book via Tiny Titans, Superman Family Adventures and Peanuts—denies any interest in My Little Pony orAdventure Time comics.

My fascination with these made for all ages properties far outweighs hers and it’s getting to be a bit bothersome to me.
  
Far be it for me to judge the taste of an 11 year old girl, and I guess it’s fine or whatever that she’s more into clothes and dancing and her real friends than learning valuable friendship lessons from My Little Pony, but Uncle Clay is getting sadder each month as Katie Cook’s book hits the shelves and makes it to my place and stays there.

It could be more that the little lady is growing up and I want to cherish the excitement she has when I hand her a stack of comics every couple of months. If my plan works, that excitement will never go away, the comics will just get to be more appropriate for her to check out. I’m just wishing we could connect this one last time on a great book that may skew a little young for her tastes but lines up with my appreciation for a great comic story no matter who the intended audience is.

No sir, I’m not a full card carrying Brony, but having had an encounter with Discord himself, John DeLancie, at the 2012 Rhode Island ComicCon, I’ve become a fan of the show and support the culture. I mean if Bronies get bullied or spat upon and I don’t stand up, how can I defend my right to walk around in my the perfect Babylon 5 Vorlon costume? (Someday…someday).

On to the issue at hand! A final battle occurs between Twilight and Queen Chrysalis in the Changeling Kingdom and the fillies get to return home. Their dragon friend Spike has been back at Canterlot sending the message to Princess Celestia that the girls are in trouble. Katie Cook writes and draws the backup Spike story “In the Interim…” at the end of the issue.

Rating: Cute, funny, awesome, sparkly, action-packed. What more could any pony ask for?

[READ MORE at FORCESOFGEEK.COM]

 

 

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EARTH PRIME TIME: WILL EISNER WEEK 2013

Will Eisner - The Spirit #17Today we get to celebrate comics by remembering the birthday of the father of the graphic novel, Will Eisner (March 6, 1917 – January 3, 2005). Known for creating The Spirit and longer stories such as A Contract With God, Eisner continues to be a reigning influence on comics and graphic storytelling. The high school friend of Bob Kane started his comics career at an early age and continued working until his death. Tufts University screens the 2007 film Will Eisner: Portrait of a Sequential Artist on Thursday as we celebrate Will Eisner Week at Earth Prime Time.

 

Sure, we’ve gushed about Stan Lee and Jack Kirby, but a man important to comic books has escaped the public’s consciousness over the years. Will Eisner’s cinematic visions of the comic book page alongside a kinetic lettering style continues to define the look of the comic book page as professional artists continue to learn from his masterful storytelling techniques.

The Spirit is perhaps Eisner’s most notable work. The presumed dead police detective Denny Colt establishes a hideout in Central City’s Wildwood Cemetery.

The Spirit was a dashing vigilante, hunting down his arch enemy, The Octopus, and solving crimes with sidekick Ebony White. The stories ran the gamut of crime and detective noir to romance and horror.

Many great comic artists have had their hands on the domino-masked hero, from launching the career of Wally Wood in 1952 to modern day vintage illustrators Darwyn Cooke (New Frontier) and J. Bone (Rocketeer: Hollywood Horror). Sin City’s Frank Miller made the jump to full time director and filmmaker, only to release a vacant and vapid adaptation of the character on screen in 2008′s The Spirit.

[READ MORE at DIGBOSTON.COM]