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    Dig Boston and League Podcast Comics Picks of the Week for Wed. FEBRUARY 4, 2015




    Don’t forget Scott McCloud at the Brattle on Thursday celebrating the release of The Sculptor and his return to comics. Read our interview with Scott on From the mind of comics master Richard Corben (Heavy Metal) comes Rat God #1. …Yo Joe! The Autobots face both The Decepticons and Cobra in this all-out psychedelic Kirby-esque space battle in Transformers vs. G.I.Joe #5. Hear an awesome interview at with Tom Scioli! … Picks this week from League Podcast!



    MARVEL'S AGENT CARTER S1E4 “The Blitzkrieg Button” (review) AT FORCES OF GEEK


    Peggy Carter (Hayley Atwell) remains by his side and on the case. This episode gets a little deeper into the mystery behind the stolen Stark weaponry.

    Peggy continues to struggle maintaining her cover as a double agent, all the while carrying out mundane tasks of taking the office lunch orders and still being treated as a secretary in the office.

    Agent Carter assists Jarvis (James D’Arcy) by ambushing a warehouse deal with mysterious bad guy Mr. Mink’s lackeys. Peggy reluctantly offers Howard her room as a temporary hideout while she retrieves a particular weapon from the S.S.R. lab at his request.

    Chief Dooley (Shea Whigham) is off to Germany to follow up on leads tying Nazis into the Stark weapon case, and questions a Nazi on death row. We may be getting a subtle Boardwalk Empire nod here, the Ratzi’s Colonel’s last name is Mueller — the same as Michael Shannon’s false name on the period drama!

    Dooley finds out that the battle in Russia he was researching had already occurred by the time the Nazis had arrived, and that everyone was already dead. He learns later that Howard Stark’s name is on a flight manifest a couple of days after the battle had taken place, deepening the conspiracy even more.

    Carter’s desk mate Agent Sousa (Enver Gjokaj) heads down to the docks in the hopes of getting some clues on who called in the stockpile of Stark’s weapons at the end of the last episode. Sousa encounters a couple of vagrants playing a nickel bet card game and suspects that one of them must have seen something.



    Stacey Rizoli is an artist, gamer, comic book fan and feminist living in Boston, MA. Her homegrown Red Queen Crafts produces paintings, signs and hand-made custom flower accessories. She hates the cold weather but keeps warm by staying in and playing video games.  Follow her @redqueencrafts

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    Entertainment Earth






    Scott McCloud defined the language of comic book creation and critical thought with his lauded 1993 tome Understanding Comics: The Invisible Art. In advance of his appearance at Brattle Theatre in Harvard Square on Thursday, February 5, I got a chance to talk with him about his latest 500 page graphic novel, The Sculptor, and his glorious return to comics.
    What can readers expect from The Sculptor?

    For starters, it’s big. It’s just under 500 pages long and it is a story about a young sculptor in New York City who had a taste of early success and is now contemplating his life as a loser when he gets an opportunity from a visitor to have everything he needs to succeed — at least physically — but he has only 200 days to live. It’s a traditional Faustian bargain, [but] this time the supernatural visitor is Death, not The Devil. I’m not too keen on devils and Hell, being an atheist.
    The real challenge [for the main character] is an internal one because as soon as he has power to mold anything with his bare hands, he runs up against his own artistic limitations and desires, and finds it isn’t so easy. When all the other obstacles drop away, there are still those internal obstacles.
    Then he crashes headlong into this romance at the eleventh hour, and the question of how to spend one’s days becomes critical for him.
    It is a race against the clock in a way. He has a superpower and it’s about how he deals with having a finite number of days. He can also be penalized if he makes certain decisions, he then has less days. I was seeing these as very much comic book ideas.
    Yeah, and this is something I had to come to grips with myself, because I was going around for decades talking about how comics can be more than just superheroes. Then I have an idea that I love but it has that superhero quality to it. This is one of the reasons why when the book starts we see that this wish of his in part grows out of the thing he did as a kid. He made a comic where he had a power sort of like this.

    You are working with these huge archetypes. How did you go about laying out this whole story over 500 pages, incorporating superhero ideas? Was that all there at the beginning?
    Part of it was, the idea of Death was there. The conceit of what appears to be an angel at the beginning came to me [during] the actual making of it. There were a few decades before I started in earnest working on the project, then there were the five years that took me to make the thing.
    Is what prompted so many revisions was wanting to try different things out?

    It was more that the story was starting to come to focus in my mind. The first revision was about fixing things. With each revision, it became about excavating what was below the crap. Seeing the shape of the story of what it wanted to be and pull that story out. Occasionally I would have a neat little bit, something that works with comics or was interesting, and then I would realize that while it might be nice—it didn’t really belong. It didn’t really have anything to do with what that story was ultimately about. If you can pull it off, if you can have the parts reflect the whole, that’s hopefully a book that feels like it has a breathing heart, [that] breathes when it is on the shelf at night.



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    Entertainment Earth


    STARLIGHT TPB (Image Comics, by Mark Millar - review) - at FORCES OF GEEK


    Written by Mark Millar
    Art by Goran Parlov
    Colors by Ive Svorcina
    Cover by John Cassaday
    Published by Image Comics
    ISBN 978-1-63215-017-2
    Diamond Comic order code DEC140693
    Available via Comic Stores 2/11; Bookstores 2/24

    Some creators, musicians and authors have a knack for cranking out hits. Stephen King, Tom Petty, you get the idea.

    And like those gentlemen, Mark Millar’s work is often imitated but never surpassed. An upstanding member of a Bill and Ted-esque order of chivalry—Most Excellent Order of the British Empire—the Scotsman’s latest trade paperback is Starlight, another gold record to put on the wall.

    With Goran Parlov (Punisher MAX) on art, this sendup to pulp heroes, Flash Gordon, Buck Rogers, John Carter and Adam Strange is a pop-art celebration of comics, serials and retired superheroes.


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    Entertainment Earth



    Review by Clay N Ferno
    Produced by Liza Meak, Dana Nachman
    Written By Dana Nachman, Kurt Kuenne
    Directed by Dana Nachman
    Featuring Miles Scott, Natalie Scott , Nick Scott,
    Teresa Clovicko, Audrey Copper, Katie Cotton,
    Ama Daetz, Mike DeJesus, Ej Johnston, Sue Graham Johnston, Mike Jutan

    Having just returned from San Francisco, I can safely say that the city is intact, largely thanks to a brave little boy named Miles Scott aka Batkid.

    By thwarting The Riddler and The Penguin and saving not only a lady on the trolley tracks but also SF Giants mascot Lou Seal, Miles was given the Key to the City from Mayor Ed Lee on November 15, 2013.

    The Make-A-Wish Foundation made Miles’ dream come true and in turn, a city was transformed into a heroic playground for the leukemia survivor.

    Batkid saved the day, took over our social media for the afternoon and everyone from fellow Batmen Affleck, Kilmer and Keaton to President Obama thanked him for his service.

    Batkid Begins documents the small town of Tulelake, CA family’s battle with cancer and the redeeming qualities of community based action. What was meant to be perhaps 100 volunteers turned into an entire city playing a small background character in a real life Batman Movie starring our Batkid, a five-year-old Miles Scott.

    I remember ‘Batkid’ Day.

    We’re three hours ahead so here on the East Coast this was prime twitter time for me. It was unavoidable. Even Facebook’s algorithms couldn’t stop that which was the heart of this thing.

    It was all over everywhere, and I shared and retweeted as much as I saw from #SFBATKID on Twitter, reading about this amazing story.

    Batkid Begins tells the story of Miles and his parents and their struggle since Miles was diagnosed at 18 months. Can cancer just stop it already? I mean that villain goes after a young kid that just wants to play with his toys all day and run around in a cape. Actually, as clarified near the beginning of the movie, 18 months is old enough to qualify for the amazing work of Make-A-Wish, but the parents smartly waited until he was a bit older and he fought his own battles and became more of a person before asking Miles what his wish would be.

    Naturally, putting anyone, let alone a kid, through countless draining hours of treatment can take its toll. Steroids, chemo, the whole stinkin’ lot of it is the pits. What comes out of that is a spirit of being a fighter. And that is around the time Miles’ Dad Nick introduced him to Adam West on TV as Batman. Our little Bruce Wayne fell head over heals for the Caped Crusader and demanded his own cape for dress-up.




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